Lambert presents body and body related objects approached through the vernacular of jewelry to create space for the viewer to question positionality, fixedness, and chimerism that goes beyond binary thinking. It is in the inhabited of these queer [and/or] liminal spaces that these interactions gain their strength as a force that is yet to be fully explored for its potential as a terroristic act to westernized and colonial institutions. Lambert collaborates with multi-media artists of a vast array of disciplines to reconfigure the current cultural systems of queerness and body politic while challenging the boundaries of craft. By unpacking the witnessing of toxic intimacies and the embedded systems of oppression rooted into the geological strata of culture and land lambert is interested in ways to disrupt and subvert these mechanisms through a chimerical practice of making, collaborating, writing and curating to create systems for platform building and methodologies to talk with and not at in regards to the othered body.
"Matt Lambert’s slippery shifting objects draw heavily from the regalia of contemporary male homosocial spheres. They impart a (re)codified identity precipitated from an atomized cloud of sport, hunting, and military references. Protective gear, trophies, marks of rank, are just a few of the mechanisms we extrapolate from these originating realms, which also cast a shadow—or perhaps contain a back room—where the ostracism of queer identities coalesces and rebounds in fetishized form. ”-Timothy Veske-McMahon.